O grifo como inscrição poética: o leitor como criador e a arte da conversação em Ana C

Abstract

This study investigates the process of reader creation in literature based on their marks of creation on the physical book, through highlights and marginalia. The research focuses on copies of the work a teus pés by Ana Cristina Cesar, acquired from secondhand bookstores, while bringing the poet's own reading and writing process into conversation with the readers. Based on the analysis of the books activated by the reader and supporting bibliography, our hypothesis is that, even if seemingly finalized and closed in itself, the book of literature represents a body in continuum, as it is repeatedly reinterpreted and reanimated with each new reading. The work uses the approach employed by Process Criticism, primarily through the concept of creation as a network. (SALLES), but it explores a field of literary study that has not yet been vertically researched, which considers the creation marks of the reader, not only of the author. The theoretical-critical foundation draws, among others, on the following authors: Maria Lúcia de Barros Camargo (2003), Marília Garcia (2013; 2025), Alberto Manguel (2017), Flora Sussekind (2016), Gonzalo Aguilar (2017), Leda Maria Martins (2021), Cecilia Almeida Salles (2006; 2011; 2013), Antoine Compagnon (1996), Leonardo Villa-Forte (2019; 2024)