O livro das interações: o jogo das linguagens no Caderno de poesia de Oswald de Andrade

Abstract

This dissertation deals with the interaction between words and images in the Primeiro caderno do aluno de poesia Oswald de Andrade. Intends to expose and analyze the dialogue between verbal and visual languages, the procedures of image building in Oswaldian poetic language, and the artistic proposal designing this book. To this end, we sought to answer the following questions-problems: the extent to which the Primeiro caderno presents itself as a book of poems in which words and pictures are an inseparable whole? If the drawings are not mere illustrations, but dialogue with verbal texts, forming a network of connected relationships, a set of languages that interaction they establish? To ascertain the legitimacy of such information the trajectory affinity were studied between the languages, their influences, distances, and the book as art object. Also the idea of coherent set composed by its cover designed by the author, the original cover designed by Tarsila do Amaral, the cover and the homage, since these elements are critical to understanding the work and aesthetic-literary project of the author. Finally, the poems "Amor", "As quatro gares , "Fazenda", "Chronica" and "Balas de estalo" in light of the interaction between word and image, the "aesthetics of the minimum" - few traces, a few verses . Is based on theoretical and critical concepts of Haroldo de Campos (1990), Decio Pignatari (1973), Roland Barthes (1990), Michel Foucault (2008), Jacques Aumont (1993), Maria Nikolajeva and Carole Scott (2011), Julio Plaza (1982) Annateresa Fabris (1988) and Paulo Silveira (2001). After this journey, concludes that exists in the poetics of the Primeiro caderno Oswald de Andrade, an interaction of word and image that is embodied in a "picture writing" and that the inventive and original poet, has produced an innovative, radical work, Brazilian and timeless