DSpace Coleção:
https://repositorio.pucsp.br/jspui/handle/handle/18763
2024-03-23T14:10:59ZUma análise sobre a criminalidade na obra "Coerção e suas implicações"
https://repositorio.pucsp.br/jspui/handle/handle/41137
Título: Uma análise sobre a criminalidade na obra "Coerção e suas implicações"
Tipo: Trabalho de Conclusão de Curso2023-06-12T00:00:00ZFragmentos de uma futura história da arte drag
https://repositorio.pucsp.br/jspui/handle/handle/41135
Título: Fragmentos de uma futura história da arte drag
Abstract: This monograph has its initial objective to study Drag Art and its performative manifestations. The data research carried out resulted in a mapping of the artistic production of Drags and impersonators, in Brazil, which surprisingly has been occurring since the First Republic. The work focused on the 20th century and the beginning of the 21st century, due to the fact that these periods have a greater number of document references. Not that these references are vast, but that, although fragmentary, they provide some valuable clues that favor the construction of understandings about the place occupied by these manifestations in our culture. Who were these artists? What stages did they perform on? What spaces were occupied by them? These were the questions that motivated this work. In which we sought to contextualize artistic manifestations in their social and cultural relations, as well as, observing their political dimensions
Tipo: Trabalho de Conclusão de Curso2023-11-25T00:00:00ZAmbiente de controles internos em seguradoras
https://repositorio.pucsp.br/jspui/handle/handle/41136
Título: Ambiente de controles internos em seguradoras
Tipo: Trabalho de Conclusão de Curso2023-11-22T00:00:00ZInvestigação das artistas na historiografia da arte ocidental
https://repositorio.pucsp.br/jspui/handle/handle/41134
Título: Investigação das artistas na historiografia da arte ocidental
Abstract: The visual arts have never been restricted to any gender, although there is a male predominance in the “history of art”, women have always produced, resisting the difficulties imposed in each period. This question has been putted since the last decades of the 20th century, more precisely after the article “Why have there been no great women artists?” (1971), by historian Linda Nochlin, allied with the demands of the feminist movement. How is this debate currently taking place and what advances launched in the 70s have been established since then? Do we know exactly which historians commented and which excluded the artists entirely? Therefore, this monograph starts from a historiographical review and surveys some identities and productions of artists in the West, reviewing a history that was intended to be universal, but with a certain depth it is observed that many historians of the 20th century went backwards in comparison to historians previous works, which analyzed and presented works and biographies of women artists since the 1st century
Tipo: Trabalho de Conclusão de Curso2023-12-08T00:00:00Z