O discurso narrativo de Os ratos: a voz da crítica e a linguagem cinematográfica

Abstract

This dissertation proposes to analyze the novel The Rats from Dyonelio Machado. The objectives are to show in the perspective taken by the narrator's voice, realistic aspects in the modern discourse of Dyonelio Machado, as to reflect, on the use of film language. To achieve these objectives, was selected the following issue: How the narrative discourse of The Rats reveals a dialogic discourse in construction modernrealistic? The hypotheses − the novel The Rats outlines a critical tension that resists the pressures of social and historical context to reconstruct a correlation between real and speech, and use resources of the film language to account for a small and distressing construction of the modern subject −, guided the development of work and sought to prove the issue problem. The theoretical foundation on the narrative discourse relies in texts such as the Narrative Discourse from Gérard Genette (1995), Notes on Literature I, Theodor W. Adorno (2003), The Theory of the Novel: Issues of Literature and Aesthetics of Mikhail Bakhtin (2002). Film discourse, in turn, is based on the theoretical criticism proposals from Arlindo Machado, Ismael Xavier and Eisenstein. Among the conclusions, stand out: in The Rats, the distressing search of Naziazeno represents the many hardships of the man in the also oppressive capitalist society of our time; the symbolism of the figure of rats, refer to the dispossessed individuals in the capitalist urban world, and refer to the annihilation of the individual in a problem that extends to the community